His day job is in a junkyard when not umpiring high school games and at night he’s viewed as a sad figure who sits home alone with his dog slurping beer and watching baseball on TV till he falls asleep on the couch. He cannot carry the film alone even though Nolte is quite effective as a drunken mess (a role well suited for him, as who can forget that infamous mugshot!). It’s a baseball drama/comedy that relies on Nick Nolte to not only hit a home run but pitch a shutout. This is the feature film debut for 26-year-old writer-director James Ponsoldt. ![]() “It’s a baseball drama/comedy that relies on Nick Nolte to not only hit a home run but pitch a shutout.” With its delicate humor and dramatic nonchalance, Jim Jarmusch’s one-of-a-kind minimalist masterpiece, Stranger Than Paradise, forever transformed the landscape of American independent cinema.(director/writer: James Ponsoldt cinematographer: Tim Orr editor: Sabine Hoffmann music: Claire Campbell/Alex Neville/Brian Petway cast: Nick Nolte (Ray Cook), Trevor Morgan (Dave Tibbel), Rosemarie DeWitt (Debra Christopher), Sonia Feigelson (Ashley Tibbel), Timothy Hutton (Tom Tibbel), Sally Kirkland (Marianne Reynolds), Michael Higgins (Al Cook), Noah Fleiss (Todd), Marlyne Afflack (Nancy), James Ponsoldt (Robby, store clerk), John Tuell (Jonas Worthy) Runtime: 90 MPAA Rating: R producers: Scott Macaulay/Robin O’Hara Thinkfilm 2006) S ave your space and register for this FREE Zoom Q&A now!įrom Criterion Channel: Rootless Hungarian émigré Willie (John Lurie), his pal Eddie (Richard Edson), and visiting sixteen-year-old cousin Eva (Eszter Balint) always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb. Jarmusch used a black-and-white, minimalist, no-budget aesthetic to his advantage, announcing himself as one of the most distinctive new directors of his time while reinventing the road movie. English.Ī note from David Schwartz: Jim Jarmusch’s deadpan comedy Stranger than Paradise, about two downtown New Yorkers whose aimless life is upended by the arrival of a Hungarian cousin, is one of the key independent features of the 1980s. for a live discussion, including a conversation with a special guest and questions from the audience. Then you’ll be able to join us online on Wednesdays at 8:00 p.m. You’ll watch the films at your own leisure, along with a video introduction by David Schwartz. Whenever we can, we will list available screening options. ![]() Here’s how it works: curator and host David Schwartz has selected five films available for viewing on the Criterion Channel and elsewhere. It’s not the same as sharing our laughter together in a theater, but it’s an experience we can enjoy together. As we all stay at home to help flatten the curve, this online film club offers a chance to see five of the great screen comedies, accompanied by live discussions. But now, with the world so full of drama and tragedy, the time is right for some comedy. ![]() “Drama is easy, comedy’s hard,” said film director Peter Bogdanovich.
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